Showing posts with label tv. Show all posts
Showing posts with label tv. Show all posts

Thursday, 26 August 2010

Britain's Worst Husband (Virgin 1)

Quentin's got his dukes up.

When I sat down to watch Britain's Worst Husband I steeled myself for a display of the nation's most wicked spouses. A cavalcade of violence and infidelity nary seen since the reign of Henry the Eighth. Even Quentin Wilson himself (a man who's presenting style makes you feel like you're being told off by a boiled egg) promises that these are 'the worst of the worst'. Disappointingly these are unlikely to be anywhere near the worst unless the biggest offence a wife has experienced at the hands of her betrothed are trying to beat his fat arse dents out of the sofa cushions. These are men that merely see marriage less as an institution and more as a very personalised maid service.

We are introduced to 4 feckless vegetables that are the bane of their long-suffering wives' existence. First up, Brian. Brian is a gargantuan bolus of a man. Sitting in his armchair like a carrier bag full of wet bread he offers helpful comments to his beloved Ada ("Is that supposed to be a cup of tea?"). Brian stopped working due to a hip injury and never went back due to being exasperatingly bone idle. Ada shuffles between the kitchen and the throne with the expression of a holocaust survivor.

Then there's Carl. Carl is a surprising candidate because it's hard to believe he managed to spend long enough outside the walls of a police station to get married in the first place. His entire persona screams 'date rapist' and he slithers into view, bare-faced lies falling from his mouth like boxer's teeth. He met his wife Val by stumbling pissed into her back garden and she's tolerated him ever since. She gives an overview of his sparkling character between chain-smoking and chewing her fingers down to the knuckle.

The third contender is David, a football obsessed trainspotter type who's nylon tracksuit probably contained more personality when it was on the hanger. A dreary Nigel of a man, David admittedly spends 99% of his time playing or watching football and 1% actually paying attention to his exasperated family. In a bleak glimpse of what this involves we see David on a desolate football pitch, punting a ball through an abandoned goal and giving himself a little cheer. It seems David is so boring even other football bores don't want to be seen with him.

Lastly, we are introduced to Phil; a 38 yr old mashed-potato golem with the mind of a child. His 13 amp brain tick-tocks wildly between lazy ignorance and downright lunacy ("Women are all aliens. Aliens or wasps."). His wife, Carolynn, has the look of a woman on the edge. Whether it's the edge of divorce or homicide remains to be seen.

So the men are promptly thrust into their first challenge; to do a small number of simple household tasks within 30 minutes. Carl nearly detonates every electrical appliance in the kitchen, possibly explained by the fact he spends more time drinking and smoking than paying attention. David does little but make a mess and a bad smell. Brian outshines the rest of the team by showing all the domestic skill of a slice of ham. After boiling some pasta in milk he nearly electrocutes himself on the iron before melting the front off a dress. He finishes off by sweating heavily into the food. Finally, Phil shows everyone up by making a semi-decent effort but does so whilst mumbling grimly about 'woman's work'.

The second challenge sees all four couples having a romantic meal. Unfortunately the producers have decided that this would best be done with all four couples in the same restaurant seemingly devoid of any other diners. Dinner soon descends into a flatulent caterwauling and the men do everything possible to shame themselves and their wives short of flinging their own shit.

The men are then tasked with buying their wives a selection of thoughtful gifts. All fail miserably by normal standards but these women have been exposed to so much disappointment they probably get excited by a feint mist. Presents of note include earplugs and a wok. Carl steals the show by pissing away most of his allotted cash on a thunderously tacky smoking whirlpool with an oyster floating in it. Brian is the most clueless shopper and looks confused at the very notion of walking into a shop, nevermind actually buying something lady-flavoured. Every attempt at commerce looks set to give Brian a crushing migraine as he gawps into shop windows like a reindeer staring at a diagram of a jet engine. Shockingly, his efforts, whilst completely underwhelming, stand so far above 45 years of shuffling ineptitude that Ada literally crumples with joy.

In a futile attempt to train the beasts into passable human beings they are plopped in front of a romance coach. When asked where they think women like to be touched, the least insensible answer is 'on the face'.

Lastly the men are given 5 minutes in which to offer up some grain of affection in the hopes of securing future marital bliss. David talks like he's reading the football scores, Phil has forgotten what he's supposed to be doing, Carl gets away with a nauseating performance but scores highly for remembering to use the L word but the best offering has to be from Brian who, realising he's pretty fucked by this point, turns on the waterworks and blubs like a fat girl at a school disco. Irrespective of how sincere this episode may have been it becomes clear that Brian has secured himself another twenty years of bacon sandwiches and when the final vote comes it's Phil the Man-Child that comes off worse.

The entire process is completely academic anyway and therefore depressingly futile. It's clear that none of the men involved are interested in personal growth and all the women are so brow-beaten they'd stay put even if the men grew an extra mouth on their foreheads just for swearing. Quentin rambles smugly to camera, dreaming of the day they let him talk about Ferraris again and mercifully we're done.

Monday, 23 August 2010

Baby Beauty Queens (BBC3)

I'm just so happy...
Baby Beauty Queens is a furtid glance into the frantic tedium that is the life of a child pageant contestant. Although not the first such peek into the lunatic world of glittered contempt and teeth-grinding desperation, BBC3 clearly found previous ventures far too critical or inquisitive so this time, travelling light on both irony and reason, we once more immerse ourselves in the freakish world of the Mini Miss Competition. Sane human beings will spend all 30 minutes of this guiltless paedothon with their faces locked into a rigid mask of horror like a Daily Mail reader who's just found an asylum seeker taking a shit on their lawn.

We watch from the edge of our seats as 'child princesses' Amber and Eden are primed for the upcoming competition. There's a common theme here that quickly becomes apparent and that's one of utter delusional insanity. The girls are treated as both fragile icons of vicarious accomplishment and bejewelled tapdancing slaves and the typical scene shows either mum or daughter kicking up a shit-fit somewhere in Topshop.

These are slotted in between snippets of interview with the mothers where we are treated to a direct shot of loopy banter. Amber's mother exclaims "Last year I thought she was a princess, this year she's going to be queen princess" clearly displaying a distinct lack of awareness of monarchical heirarchy. She is also keen to point out that she 'would never force her daughter to participate in beauty pageants' with all the conviction of a nazi war criminal, having buried her daughter neck deep in chiffon and ignorance at the negation of everything else including any lasting sense of dignity.

We also glimpse similar scenes of fellow foetal competitor Eden, who's mother Fathom sounds like she was named after some sort of aquatic super-villain. Fathom runs a one-stop-shop for glittering horror capes and ruby red slut rags called 'Brazen Hussy' and it is from this trove of gaudy baubles that Fathom outfits her first-born, draping her in a mint green aberration whilst barely concealing her pride. Meanwhile, for those watching, lunch has begun to resurface with alarming urgency.

The mothers' pride is seemingly impervious to reality. As their children warble painfully along to Britney Spears or lollop about the living room like startled wildebeest, the mums look on agape as if the girls had started vomiting diamonds.

Competition day rolls around and the girls are paraded about in some godforsaken village hall. The competitors are shoved on-stage to perform a variety of devastating performances. Quite predictably both Amber and Eden win utterly nothing and are left to the mercy of their bulldog-faced progenitors.

An adjustment

It transpires that despite my gargantuan knowledge of games, I truly come into my own when reviewing something I truly loathe. For that reason, from this point forward I shall be reviewing snippets of complete dross from the world of games and tv. If I have even the most positive feeling toward something it is unlikely to make it here.

It also struck me recently that I can never find anything worth watching when skimming through the 'on-demand' content available, instead having to wade through page after page of codshit heaved out by BBC3 or, heaven forfend, the shambling horror that is the ITV Net Player. So, I've decided to make the mountain of utter bollocks work in my favour. At least once a week I'll be casting a critical eye over some of the finest television ever shat out by our nation's broadcasters.

I'll leave the previous, rather pleasant reviews where they are if only to prove that I wasn't always a negative, curmudgeonly bastard. Just don't tell anyone.

Sunday, 4 July 2010

In The Night Garden




As a teen, when I witnessed the merciless replacement of the time-honoured classic Playbus with a foursome of babbling gibber-wits called Teletubbies, I was outraged. A cheerful, educational institution had been budged aside to make room for disturbing technicolour babble-crap and my weekday afternoons would never be the same. Even now the Y-Bird must lie gathering dust on some long forgotten shelf in a storage shed round the back of BBC television centre. What's the sign on the lollipop? The sign of the times, that's what.

A Christian ministry (read 'octogenarian village-green zealouts') once argued online that the Teletubbies represent an attempt to promote a new global paradigm of earth-centered spirituality. All I knew was that we had ventured into a terrifying new world where giggling demons with televisions in their guts rolling around under the gaze of a demented sun-fetus now amounted to kids telly.

Spin forward a decade or so. The Teletubbies, having firmly cemented their place in history as both new-wave educators and soulless harbingers of a faceless armageddon, have retired happy in the knowledge that children no longer have time for wasteful things like numbers, sentences or compassion thereby making them ideal pawns for the eventual war on humanity.

In their cultural wake arrived their inevitable successor, from the same production company, In The Night Garden. Continuing the tradition of sun-dappled nonsense, the 'night garden' (where it is ironically never bloody dark as far as I can tell) is home to a myriad strange and bizarre inhabitants all, as far as I can tell, named after thinly-veiled racial slurs.



Iggle-Piggle

Iggle-Piggle is clearly king of the garden and as such gallops around the lunatic landscape like Lord Bastard of Shittington Manor content in the knowledge that his smug face adorns all the mortifyingly over-priced tie-in merchandise touted toward the well-meaning, sleep-deprived zombies that look after their target audience. He routinely can't be bothered to go to bed and is a force of chaos in the garden.

The Tombliboos

The Tombliboos are three excitable, unblinking novelty pen-toppers that live in a giant green microphone. Their day mainly comprises bumping into each other and laughing. Major dramas have included all three of them simultaneously forgetting where they put their trousers and getting lost in their own house, all of which puts them on par with cocaine-addled university students.

Makka-Pakka

Makka-Pakka is the meekest of the garden's inhabitants and the others have spotted this and have made him their bitch. Forced to live underground in a pitiful ditch hovel, he spends his time doing 'favours' for the other residents such as finding all the shit they've lost whilst in a giddy haze and washing their faces. He travels the garden with a push trolley collecting rocks (which he sleeps with for comfort) quietly wittering to himself like a homeless man with dementia. How do his friends repay this quiet, selfless being? On one occassion his trolley ran away on it's own and The Pontipines stopped it. With a rock. What a bunch of cunts.

The Pontipines/The Wattingers

The Pontipines are a huge family of miniscule wooden people who all live squashed into a tiny house like refugees. They are rarely seperated and travel everywhere in a conga-line. Likewise, their next-door neighbours are an unnervingly identical family called The Wattingers, who are indistinguishable from The Pontipines except for the fact they are blue instead of red. The whole lot of them are pathologically flatulent and at times even appear to replace their squeaky language with a series of rasping guffs.

Upsy-Daisy

Upsy-Daisy is the sole female inhabitant of the garden, save for the mostly sexless Pontipine/Wattinger wives. In what appears to be a staunchly patriarchal society, Upsy-Daisy is not permitted her own house and instead is forced to keep her bed in the middle of the garden. She spends her day singing nonsense and spinning in circles.

The Ninky Nonk & The Pinky Ponk

The Night Garden is home to two sentient vehicles which appear at random to ferry the garden's inhabitants between nowhere and somewhere else, seemingly ignorant of their huge size difference. The Ninky Nonk is a hobbled-together gypsy caravan convoy that pelts around at breakneck speed which is in stark contrast to the Pinky Ponk, a farting airship that travels painfull slowly and is still incapable of avoiding trees. When the Pinky Ponk collides with a tree it is referred to as a 'ponk' which is far cuter than 'unnecessary and terrifying crash'.

The Haahoos

The Haahoos occupy a biological space somewhere between sentient foam gods and garden furniture. They are massive gurning shapes that loom through the garden and are in all respects the stuff of fucking nightmares.

The Tittifers

Just birds. They painted them pretty colours but they're just heavily stage managed parrots.

The surprising thing amongst all of this is that I actually love In The Night Garden. I really do. Why? because I have a 14 month old son and it doesn't matter what wacky shenanigans he's in the middle of (climbing the radiators, investigating plug sockets), when In The Night Garden comes on he walks calmly to the sofa and is quietly entranced by this tomfoolery for a solid 25 minutes. Any other parents will attest that discoveries like this are rare. Disturbingly, therein lies its devillish power. It speaks directly to the ludicrously nonsensical child-mind at a level we mere adults can never understand and as a result I, like my own child, am powerless to resist.